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Can there be a greater test of cinematic endurance than staying awake through Roland Joffe's "freely adapted" version of THE SCARLET LETTER? Try Demi Moore as Hester Prynne, revisioned here as a New Age, New World Wonder Woman. (She's well-read, well-spoken, and, as the camera takes great pains to show us, well-endowed.) Her partner-in-sin is played by Gary Oldman, as the impassioned Reverend Dimmesdale. (She spies him skinny dipping and, unfortunately, so do we.) Relentlessly straight-played, THE SCARLET LETTER is bad costume drama at its lowest. How low? The awfulness includes a love scene with an onlooking slave girl "pleasuring herself," a bloody scalps-and-all Indian attack, and what appears to be the discovery of Hawthorne's long-lost, original ending that sends the adulterers away to live happily ever after in the "faraway Carolinas." What, Nags Head? Beaufort?? Myrtle Beach??? Grade: D Copyright 1995 by Michael J. Legeros
Originally posted to triangle.movies