legeros.com > Movie Hell > 1996 > Reviews |
You'll laugh till you cry in this one, that much is certain. The giggles come first, in the opening scene, as we watch an army of rodents overtake the science wing of a small California college. They flood into the halls, the classrooms, and the courtyard. By the time that a couple of the critters go airborne (courtesy of a leaf blower), we're rightly amused even as we secretly hope that the rest of the movie won't be quite so silly. (That deep feeling of dread isn't helped by the fact that the director's last film was ACE VENTURA: PET DETECTIVE.) The Dean (Larry Miller) knows who's responsible and is soon calling for Sherman Klump (Eddie Murphy), a chemistry professor who has just arrived on campus and is now innocently surveying the pandemonium. In the original 1963 film, Jerry Lewis played the professor as a buck-toothed lab nerd; in this remake-- which owes as much to the story of "Jekyll and Hyde" as Lewis' original-- the nutty (actually, more clumsy and slightly absent-minded) professor is ostracized for a different reason: he weighs 400 pounds. The chuckles come next. They start at the first sight of Sherman, who is the size of a small tank. (A Sherman tank?) We know it's Eddie under all that make-up, but we still can't believe our eyes. He disappears so completely into the role of the reserved and rather polite professor that only his eyes threaten to give him away. (Sherman Klump has serious self-esteem problems, and Eddie's knowing gaze never betrays that characterization.) So, we chuckle at the whole big, goofy package: Eddie playing with restraint, Rick Baker's incredible make-up, and such old-but-still-funny gags as a big man trying to wriggle his way into a very small chair. Laughter, in turn, begins to boom after we meet Sherman's rowdy family. The scene is set at a dinner table and there's Eddie, in four other roles, playing the brother, mother, father, and, even, the phlegm-hacking, foul-mouthed grandma. It's an extension of a bit that he did in COMING TO AMERICA-- where he played a couple of fringe characters, including an old Jewish man-- and it's a howler. (The seamless special effects help tremendously.) Though these other family members are closer to caricatures than characters, you can still expect to miss a good three-quarters of the dialogue once the fart jokes begin to blow. (I can't remember when I've heard an audience laugh as hard.) The real guffaws-- you know, the ones that cause tears to start streaming-- get going after the professor, tired from trying to loose weight and now enamored of a graduate student (Jada Pinkett), ingests an experimental formula to reconstruct his DNA. Calm down, Mr. Simpson. Lightning flashes, the music swells, and Sherman later awakens a new man. Literally. The 400-pound weakling has transformed into a rail-thin, super-swaggering character who calls himself Buddy Love (also played by Murphy, sans make-up). If the fat guy is an easy metaphor for Later Eddie, here is a knowing nod to Murphy's old self. The funny Eddie. The angry comic who made us laugh so hard in concert, on television, and in movies like 48 HRS. and TRADING PLACES. In a stand-out scene where Buddy confronts a rude stand-up comic who had previously poked fun of Sherman, Eddie reaches out and grabs the audience-- and the film itself-- and gives a vigorous shake. We haven't seen that man in over ten years. And so goes the rest of the movie, with its many gut-busting highs and the occasional look-at-your-watch low. Director Steve Oedekirk (ACE I) struggles to strike a balance between the sweet (Sherman), the silly (Sherman's family; the fat jokes), and the angry (Buddy Love). He gets it about half-right. For all the funny gags and surprising special-effects-- we witness, among other things, what surely must be the biggest bout of flatulence in screen history. Sorry, Mel-- THE NUTTY PROFESSOR still plays more like a series of strung-together skits than as a particularly cohesive feature-film. Too bad. An apologetic ending is the movie's low point and you can see it coming from a mile off. Though it's probably PC to include some warm fuzzies for the benefit of those who are, er, equatorial- challenged, the last five minutes are a disaster. (The sequence doesn't even make sense. When Buddy Love is exposed as Sherman Klump, those who witness the transformation react as if they've seen an everyday occurrence! Or just walked out of a screening of MARY REILLY.) Luckily, a series of outtakes is played over the closing credits, giving us one more chance to cry before we're sent packing with a smile and a song. However unstable (at times) the concoction, THE NUTTY PROFESSOR is still a movie that leaves you feeling great: cleansed from the laughter, tickled by so many good jokes, and reaffirmed that a brilliant comic has finally returned to form. I can't wait to see it again. (Rated "PG-13"/95 min.) Grade: B+ Copyright 1996 by Michael J. Legeros
Originally posted to triangle.movies