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This one's bad, maybe unwatchable, as Rowan Atkinson's beloved Brit is shoehorned into a pedestrian, poorly executed plot involving a famous painting, a Los Angeles art gallery, and a classic case of mistaken identity. (You Know Who is believed to be... an art ex- pert.) The "Bean bits"-- tampering with an amusement ride, pre- tending to have a firearm in an airport, drying the front of his trousers with a restroom blow-dryer, etc.-- arrive at infrequent intervals and too often consist entirely of reaction shots. In- stead of just pointing the camera at Bean and letting him do his thing, the filmmakers shift the focus to the supporting stars and, by in large, that's a mistake. (Okay, it *is* pretty funny when Peter MacNicol's art curator goes nuts, after Mr. Bean has his way with Whistler's Mother.) Worse is how Bean's scenes always seem rushed. He never gets to do more than three minutes of anything, if that. Even his most-elaborate routine-- a nighttime, commando- style raid on the museum-- flies by at about four times the pace that it should. With Harris Yulin, Pamela Reed, and in a late and largely useless cameo, Burt Reynolds. ("PG-13"/90 min.) Grade: D Copyright 1997 Michael J. Legeros Movie Hell is a trademark of Michael J. Legeros
Originally posted to triangle.movies in MOVIE HELL: November 9, 1997