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More gratuitous garbage-- ah, the joys of summer-- this one a re-
lentlessly cheery romantic comedy that entertains with as much
reckless abandon any of those bloated boy toys, such as SPEED 2 or
CON AIR, only with broader laughs and big, goofy grins in place of
the bombs, bullets, and other things that go boom in the night.
Julia Roberts-- remember her?-- plays a neurotic restaurant critic
who, for no apparent reason, decides to sabotage the wedding of her
best friend (Dermot Mulroney). See, they made a pact, years ago,
to marry if each was still single at age 28. So, on the very day
that she recalls this fact, just like that, out the blue, he calls,
not to propose, but, rather, to tell of his *own*, few-days-away
wedding. This drives her nuts and for reasons that the film never
bothers to explain. Worse, the bride-to-be (Cameron Diaz, playing
a prep princess) just up and starts loving her on the spot, putting
Roberts' character in an increasingly uncomfortable, increasingly
jealous, and, heh, increasingly *advantageous* position. (There's
even a cat fight. And in a ballpark restroom, no less!)
With Ms. Roberts beaming brighter than she's been in any number of
years, a frothy supporting cast that doesn't frown much, either, a
huge, high-dollar wedding ceremony at the end, and enough overall
sunshine to blind any Batpatron unlucky enough to stumble into the
wrong theater, MY BEST FRIEND'S WEDDING is the perfect summer movie
to laugh, coo, and get all warm and fuzzy with. Needless to say, I
didn't buy a minute of it, mostly because there's no core character
motivation for Roberts' character. Bam, she's racing to the air-
port, cigarette in hand and mayhem on her mind. (Do I recall a
scene from the trailer, where Roberts is rehearsing the reasons she
can't get married, thinking that her friend is calling to cash in
on their pact?) Sure, she's funny, falling off beds and knocking
over dinner trays. Sure, we feel her pain-of-the-moment, though,
really, what kind of best friend sabotages the other one's wedding?
And then she pauses to flash that mega-watt smile and everything is
forgotten, except for how sore your bottom might be. (Or, as I
noticed, how much her voice, over an answering machine, sounds like
Mary Tyler Moore's.)
Director P.J. Hogan (MURIEL'S WEDDING), unafraid to try anything,
includes several musical numbers, ranging from the insipid (doo-wop
girls in wedding gowns over the opening credits) to the excruciat-
ingly insipid (an everybody-sings rendition of "I Say A Little
Prayer," complete with M. Emmet Walsh singing bass, if you can be-
lieve it.) What else helps pass the time? Oh, there's the oc-
casional oddball moment-- Roberts entering a plain-English Internet
e-mail address, the actress behind the wheel of a "borrowed" bread
van, and her quiet moment with PRIVATE PART's Pig Vomit, actor Paul
Giamatti as a bellboy. Let's see... Cameron Diaz croaking karoke
is a confirmed comic high point, as is a fifteen-minute excursion
into farce, when Roberts' character's drop-dead dashing gay editor
(Pierce Brosnan lookalike Rupert Everett) pretends to be her fian-
ce. His attempt at public affection may well be worth the price of
admission. Sorry about the hand. (Rated "PG-13"/98 min.)
Grade: C+
Copyright 1997 Michael J. Legeros
Movie Hell is a trademark of Michael J. Legeros
Originally posted to triangle.movies in MOVIE HELL: June 18, 1997