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This gets my vote for Most Monotonous Movie of the Year. Shit, just staying awake for the first fifteen minutes is a chore unto itself. Bill Pullman and Patricia Arquette play a pair of married zombies, who live in a house right of a David Lynch movie. You know the kind-- where the phone rings at ten times the normal vol- ume, each lamp is powered by a 40 watt bulb, and so on. These two bump around for almost an hour, speaking in monotone and barely reacting to the mystery of why someone is sending them videotapes of their home. Or, for that matter, who rolled Robert Blake in flour and then made him wear lipstick? Things get much more inter- esting in the second hour, with the introduction of a second set of major characters (Balthazar Getty and Ms. Arquette again, this time in a blonde VERTIGO wig and progressive states of undress). Like a Moebius strip, everything at end of this HIGHWAY wraps back around to the beginning. Nothing makes a damn bit of sense, nor is it supposed to. Director David Lynch (BLUE VELVET, TWIN PEAKS: FIRE WALK WITH ME) has attempted to create the cinematic equivalent of a nightmare-dream state and, in that regard, I guess he's succeeded. I know that I wanted to watch with my eyes closed. (Rated "R"/121 min.) Grade: C Notes ===== LOST HIGHWAY was screened at The Colony Theatre in Raleigh on 2/28. Manager Bill Peebles introduced the picture and thanked us for coming. A nice touch. Copyright 1997 by Michael J. Legeros
Originally posted to triangle.movies in MOVIE HELL: March 2, 1997