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Director Bryan Singer's highly anticipated follow-up to THE USUAL SUSPECTS is an overlong, kinda flat (but still suspenseful), and surprisingly restrained (read: largely gore-less) adaptation of Stephen King's novella. The plot: morbidly curious white-bread teen (Brad Renfrow) discovers a Nazi war criminal (Ian McKellan, of course) living in his town. The result: recalled horrors beget real ones... While some shocks seem manufactured, others, such as the expectedly graphic Holocaust flashbacks, are conspicuously ab- sent. The real nail-biters, rather, are the quieter moments of tension that Singer so expertly stages. (It's the *possibility* of something terrible about to happen that's so deliciously uncom- fortable.) Getting the overall momentum right, however, is another matter entirely. Singer is far less-successful with the story arc, stumbling through a few false endings and shifting points-of-view before wrapping on a potent (but way-too-long-in- coming) high note. (You'll leave suitably disturbed.) With Bruce Davison, Elias Koteas, Joe Morton, and David Schwimmer, whose ap- pearance in a bushy black moustache is one of the film's scariest moments. He plays a guidance counselor who, I swear, looks like a cross between Groucho Marx and Adoph Hitler. What a strange sense of humor this filmmaker has... (Rated "R"/112 min.) Grade: B- Copyright 1998 Michael J. Legeros Movie Hell is a trademark of Michael J. Legeros
Originally posted to triangle.movies as
MOVIE HELL: October 26, 1998