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Rather pleasant, I'm surprised to report. Robert Redford directs himself for the first time in this tasteful adaptation of Nicholas Evans' novel, about a legendary Montana "horse healer" who comes to the aid, albeit begrudgingly, of a New York City fashion magazine editor's daughter's injured steed. (A riding accident leaves the daughter maimed and the horse mad. Mom, seeking an escape from an increasingly loveless marriage, packs a suitcase, hitches a horse trailer, and drags her daughter out West. Gorgeous sunsets and breathtaking aerial shots ensue.) Though there's not quite enough of an edge to the film, I don't believe, there's no schmaltz to speak of, either. (Much like Mr. Eastwood's comparable COVERED BRIDGES, the film excels at restraint.) Fans and folks familiar with the book should be aware that the end- ing's been changed. (I won't go into details, 'cept to say that the Passion Quotient [PQ] has been significantly reduced.) And, for those expecting a four- or five-hankie weeper, you can leave a few of your tissues at home. (Individual mileage may vary, but I counted one, maybe two bawl-worthy moments.) Robert Richardson's photography is simply staggering and the just-under-three-hour run- ing time passes at a comfortable pace. In fact, I might argue that the movie should be *longer*, to further flesh-out the dynamics be- tween both the mother and the daughter and the mother and Marlboro Man. In particular, the latter feels a bit rushed. I certainly wouldn't have objected to another twenty or so minutes with those two. Written by Richard LaGravenese and Eric Roth and also star- ring Kristin Scott Thomas, Sam Neill, Scarlett Johansson, Dianne Wiest, and Chris Cooper. (Rated "PG-13"/164 min.) Grade: B+ Copyright 1998 Michael J. Legeros Movie Hell is a trademark of Michael J. Legeros
Originally posted to triangle.movies in
MOVIE HELL: May 20, 1998