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This one has three memorably charged moments: in the final parting of the Bishop and Jean Valjean; when the mayor forces the inspector to release Fantine; and when we finally meet Cosette's caretakers. The rest of this non-musical adaptation (the 18th filmed version, or so says the Internet Movie Database) is adequately adequate. That is, at least for the first two-thirds. Liam Neeson leads a very watchable cast through a proven story that's boosted, here, by exceptional period detail and a strong score by Basil Poledouris. When the story abruptly jumps ten years forward, however, the pace picks up and we're suddenly rushed headlong into plot twist after plot twist after plot twist. In these last forty or fifty minutes, director Bille August (SMILLA'S SENSE OF SNOW) starts throwing characters and situations at us, without providing enough emotional room to adjust to the rapidly evolving events. (Hell, even on an intellectual level, stuff doesn't entirely make sense.) Worse, the Paris-set sequence lacks the scale that you'd expect from such a seemingly epic production. August and Company's take on the Big P is more of a backlot version, with merely hundreds of extras when thousands are needed. By the big finish, there's nothing special to the main characters' final confrontation. That juice stopped flowing some time ago. With Geoffrey Rush, Uma Thurman, Claire Danes, and Hans Matheson, none of whom register as well as they should. (Rated "PG-13"/135 min.) Grade: B- Copyright 1998 Michael J. Legeros Movie Hell is a trademark of Michael J. Legeros
Originally posted to triangle.movies in MOVIE HELL: May 3, 1998