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BEING JOHN MALKOVICH is an agreeable exercise is sustained strange- ness, a three-way (or is it four-way?) love story about an aspiring puppeteer-turned-file clerk (John Cusack), his humdrum wife (Camer- on Diaz), the sultry woman-across-the-hall (Catherine Keener), and how their lives are changed after Cusack's character discovers a portal into the mind of Mr. Malkovich. (It's a wee door in a wee office on the 7 1/2th floor of a New York tower that leads into the actor's head. Admission is free, but after 15 minutes, visitors are spit out somewhere along the Jersey Turnpike.) Sounds strange, should be stranger, and, yet, it inexplicably makes *more* sense as it goes. (Relatively speaking.) Bottom line: funny, freaky, with plenty of star self-spoofing, and two of the *worst* haircuts in either Cameron's or Cusack's career. Get thee to a stylist! With Orson Bean, Mary Kay Place, and, in the surprise cameo of the year, Ima Nottelling. Spike Jonze directs from a script by Charlie Kauf- man. Grade: B+ Copyright 1999 Michael J. Legeros Movie Hell is a trademark of Michael J. Legeros
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