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BICENTENNIAL MAN is the latest Robin Williams love-in, this one a world more tolerable than PATCH ADAMS, though with far fewer yuks than MRS. DOUBTFIRE. Here, he plays a "household robot" delivered to an upscale family in the "not too distant future." The catch? "Andrew" has a manufacturing defect that causes such personality traits to surface as curiosity, creativity, and humor. Of course, he's still a walking, talking tin-man-- complete with later WIZARD OF OZ reference-- but that changes in the second hour, after an "external physical upgrade." Which means skin, courtesy of Oliver Platt's friendly robotics expert. And which leaves him better- looking than most of the *human* characters in the movie! See, the story spans 200 years-- over four generations of the family that first purchases Andrew-- and that means *make-up*. *Lots* of make- up and lots of *obvious* make-up. (No Oscar nod for you!) Oh well, at least the lovely Embeth Davidtz gets a ton of screen time, playing both a grown daughter and the grown daughter's granddaugh- ter. The more-somber-than-anything-else story also takes some in- triguing turns, here and there, as Andrew is both taught and exper- iences what is meant by being human. (He continues to get up- grades, each one making him a little less pre-programmed.) Regret- tably, as it's a story told in two hours and change, some spans get grossly glossed over. Like a later courtship that's over as soon as it begins. Sigh... Eh, for the few good laughs that *are* there, plus a non-sickly sweet romance, it's probably a Mork Holi- day Hug worth recommending. With Sam Neill, Wendy Crewson, and overexposed Pepsi pitchster Hallie Kate Eisenberg. Chris Columbus directs from a script by Nicholas Kazan, adapting both the short story by Isaac Asimov and the novel "The Positronic Man" by Asimov and Robert Silverberg. (Rated "PG"/131 min.) Grade: B- Copyright 1999 Michael J. Legeros Movie Hell is a trademark of Michael J. Legeros
Originally posted to triangle.movies as MOVIE HELL: Bi