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AN IDEAL HUSBAND takes a while to get going. The first hour's torturous, with the high-profile cast's acting styles and energy levels both wildly out-of-sync. (Well-toothed Julianne Moore ap- pears all but tranquilized in her first scene!) That leading men Jeremy Northam and Rupert Everett look alike doesn't aid early un- derstanding of the story, either. (Are we watching flashbacks or concurrent events?) The sumptuous sets and keen costumes should hold your attention, though, as will Wilde's frequently-fired bon mots. (Oscar Wilde, whose play the screenplay is based on.) Mer- cifully, things get better in the second half. The cast finally gels and is aided by some subsequently slightly screwball plot- ting. The devilishly handsome Everett is a charmer to *his* last scene, that's for sure. I daresay the sight of E. getting down on one knee is worth the price of admission alone. Nor do I doubt that too many folks will walk away disappointed by the humdinger of a happy-ending-times-two that, in fact, left Friday night's Rialto crowd clapping and cheering. With Cate Blancett, Minnie Driver, and John Wood. (Rated "PG-13"/96 min.) Grade: B- Copyright 1999 Michael J. Legeros Movie Hell is a trademark of Michael J. Legeros