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Well, we sampled an hour of THE RAGE the other evening, the far- from-long-awaited sequel to the first film based on the first novel by Stephen King. Remember CARRIE? Brian DePalma dumping buckets of blood on Sissy Spacek? Screams and flames and then someone made a musical about it?? Now, a double-decade later, Spacek's charac- ter's father's *other* high school-aged daughter (don't ask) is ex- periencing similar symptons: isolation from peers, objects moving by themselves, a mother who keeps praising Jesus, etc. However, unlike Spacek's meek 'n' mousy original, Carrie 1999 is an only *slightly* freaky metal chick who comes across more self-assured than anything else. (Think a teen Sigourney Weaver, thanks to Emily Bergl's resemblance.) She ain't helpless, which (a.) makes for a pleasant change but (b.) is also a problem for the film. See, as the plot propels the characters toward an inevitable (and likely humiliating , then bloody) confrontation, there's no one to root for. She's not vulnerable enough, nor are her tormentors that vic- ious. In fact, there's really only one instance of jarring violence in the first hour, when a student takes a flying leap and lands face-first on a parked car. (The bone-crunching impact is viewed through the windshield, suggesting that director Katt Shea has pio- neered a new technical technique: the suicide cam.) Well, judging by the number of teens talking back to the screen at last night's sneak peek, THE RAGE is likely to be the rage. This is teen escap- ism at its most effective and, alas, one of the reasons we grew bored and left after an hour. Gotta love that hip dialogue, though. Some of the slang I logged: "skank," "prick," "duh," "word," "bogus," "bites," "klept it," "seriously dissed," and, my favorite, "Melrose Place super-bitch." Like, Rafael Moreu is credited with screenplay. (Rated "R"/~100 min) Grade: W/O Copyright 1999 by Michael J. Legeros Movie Hell is a trademark of Michael J. Legeros
Originally posted to triangle.movies as
MOVIE HELL: You Tell Me How It Turned Out