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BACKSTAGE the movie, is not entirely groovy. Cheerfully profane, sure, but the dialogue's a big blur. What are they sayin', on stage when they're rappin'? They even test our stamina when talk- ing to the camera! (The film is a recount of a concert tour pack- age, a hip-hop showing of several thousand wattage.) Everyone's quite cheery, so if you're expecting dreary, go off somewhere and gripe, 'cause this ain't no stereotype. (Most of the fightin' on- screen is just joshin', though the stills of Mr. Smalls suggest other, graver falls.) Boom boom goes the bass, every rapper makes a face. Some sit, smokin' pot; others hide, camera-caught. DMX, he plays with toys, other artists bring their boys. Groupies grope in public places, heads concealed with smiley faces. (Com- puter graphics, kinda creepy in a way, though keenly inventive I'd honestly say.) The tone is nearly tongue-in-cheek and slightly overblown, with precious few Spinal Tap-worthy moments shown. Like the opening credits, so seriously laughable, to rappers on wires hanging overhead in Montreal. Do wish the movie would've answered one thing: do rappers' arms stay crooked after yo-yo-yo- ing? As a lifelong metalhead, I suppose I'm probably biased, es- pecially with a docu-film that ain't exactly fly-est. With a bet- ter sound recording, eh, it might've gone further, but for Yours Very Truly, as I said, it was a big blur. Word. (Rated "R"/~90 min.) Grade: C Copyright 2000 by Michael J. Legeros Movie Hell is a trademark of Michael J. Legeros
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