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CHOCOLAT is a game-cast, storybook-set, and, well, colorfully dull drama about a repressed French village-- circa 1959-- that comes all unglued when a free-spirited, free-speaking, single mother-of- one arrives in town and opens, gasp!, a chocolate shop. And dur- ing Lent, no less! And and (that's and times two) who soon raises the ire of the town's pleasure-phobic mayor. Conflict ensues, as does an explosion of assorted other emotions among the cocoa-con- suming townsfolk. The confectionary instigator is played by Juli- ette Binoche, AKA The Loveliest Women in the World, with a fiery bounce beneath her and those beautiful brown (brown?) eyes beaming above blush-red cheeks. (If there's a more breathtaking presence on-screen this season...) Other familiar favorites include Lena Olin as a skittish kleptomaniac (that's French for "person with sticky fingers"), Judi Dench as the cranky landlord, and Johnny Deep, appearing later as Someone Who Figures Into the Plot. The role of the mayor and arguable villain of the piece is played by Alfred Molina and he's probably miscast. Lest we forget, this is the guy who was last seen (or at least *recently* seen) playing Snidely Whiplash opposite Brendan Fraser's DUDLEY DO-RIGHT. (I know, and Robert DeNiro played Fearless Leader in this summer's ROCKY AND BULLWINKLE. And your point is?) The problem here is that Molina's thin, thick 'brows and moustache-- coupled with his half-hamminess and *absolute* lack of gravity-- renders the vet- eran actor looking and acting like a cross between Hercule Poirot and Inspector Clouseau. Needless to say, he's hard to take seri- ously. Worse, he isn't even mildly hissable! This dramatic non- weight is, alas, echoed through; scene after scene missing some necessary, tangible, propulsive emotion behind it. Sigh. Well, my mom liked it. And the soft photography and storybook-looking production design are (initially) distracting. I left after for- ty-five, lackluster minutes. With Victoire Thivisol, Hugh O' Con- or, Carrie-Anne Moss, and Ms. Bjork's recent singin' and dancin' partner, Peter Stormare. Lasse Hallstrom, of CIDER HOUSE RULES fame, directs. Robert Nelson Jacobs is credited with the scre- enplay, based on the novel by Joanne Harris. (Rated "PG-13"/120 min.) Grade: W/O Copyright 2000 by Michael J. Legeros Movie Hell is a trademark of Michael J. Legeros
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MOVIE HELL: Chocolat