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SMALL TIME CROOKS, the funniest-to-the-point-of-tears Woody Allen film in some time, finds the nebbish neurotic revisiting TAKE THE MONEY AND RUN territory. He plays the minimally employed ex-con who convinces his ex-stripper wife (Tracy Ullman) to front a cook- ie store while he and his dimmer-bulb buds attempt to tunnel two doors down to a bank vault. Hilarity ensues, though not of the side-splitting kind that comes later. Fast forward one year and they're obscenely rich, not entirely happy, and, in the case of the Missus, trying to buy class at any cost. (Translation: gar- ish clothes, big-ass apartment, and a whole lot of leopard-skin stuff.) She also wants to become a patron of the arts and soon starts mingling with the upper-crusties, leading to several fall- out-of-your-seat funny encounters as her "tastes" leave largely horrified reactions in her wake. (The highbrow double-takes re- call Allen's exasperation at Mira Sorvino in MIGHTY APHRODITE, tho this time without even a whiff of condescension.) There's also a little more capering-- equally side-splitting-- before the happy- ever-after ending, where the Ralph Kramden-imitating Allen goes as far as closing the film with the line "[sweetheart], you're the greatest." The best players here are Ullman, screenwriter (and infamous ISHTAR director) Elaine May's sweet-but-stupid cousin, and Hugh Grant as the seemingly impossible-to-flummox art dealer contracted for a crash course on Finer Things For Dummies. (Mem- orizing the dictionary, however, is Ullman's character's idea.) As usual, Allen is amusing, if arguably miscast. Really, the role needs someone both a bit more dumber-sounding and a bit more lar- ger-than-life... With Tony Darrow, Jon Lovitz, Elaine Stritch, seen in last week's wretched SCREWED, and Michael Rapaport, who steals the film's faux "60 Minutes" sequence (!) with a commentary on advertising in nudie mags. It's a visual, honey. (Rated "PG"/ 94 min.) Grade: B- Copyright 2000 Michael J. Legeros Movie Hell is a trademark of Michael J. Legeros
Originally posted to triangle.movies in MOVIE
HELL: May 21, 2000