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Not a single day passes, these days, that two or three or some- times four people don't stop me in the street, to pose that time- honored, long-troubling question "why is CHICKEN RUN the only sum- mer movie worth seeing?" The answer, I tell them, is because of "the limit." See, only one *pair* of really, really, really good movies are permitted per summer. And, well, we haven't seen the second one yet... What!?!? According to my obsessively detailed records-- for films released between 1993 and 1999, between May 1 and August 31-- a measly average of *two* movies per year were rated as "worth loudly clucking about." Meaning, out of 40 or 50 seasonal releases, only 2 received an "A" or "A minus." So what were the movies, you ask? They're listed below, two per year and with accompanying (slightly polished) review excepts. All were also originally awarded an "A minus," except for THE HORSE WHIS- PERER (1998) and NOTTING HILL (1999). They each received a "B plus." And, for those Georges curious which genres were the most common, the number of action slash suspense movies (6) matches the combined number of comedies/comic dramas (3) and family/children's films (3). Go figure... THE IRON GIANT (1999) "Affecting, unhurried, and well-drawn" "Great-for-all-ages adaptation of Ted Hughes' children's book" NOTTING HILL (1999) "Charming, crowd-pleasing, and dryly-funny" "Hugh and Julia make an even more perfect-er pair than expected" THE HORSE WHISPERER (1998) "Tasteful adaptation of Nicholas Evans' novel" "Robert Richardson's photography is simply staggering" OUT OF THE SIGHT (1998) "Funny. Sexy. Maybe sublime" "Surprise cameos. Self-referential asides. And Albert Brooks in old-age make-up" THE LOST WORLD (1997) "Made me sweat, which may be the highest compliment that can be paid to a jokey, at-times-intentionally hokey monster movie" BREAKDOWN (1997) "Something you don't see every day-- a Hollywood action- thriller that knows when to say when" "Superb" THE ROCK (1996) "Delivers the sort of all-out sensory assault that this summer's in dire need of" "Imagine an Oliver Stone-scripted DIE HARD sequel star- ring James Bond" COURAGE UNDER FIRE (1996) "Imposing, affecting military drama that re-teams Denzel Washington with GLORY director Edward Zwick" "Go and have a good cry CRIMSON TIDE (1995) "Less an action movie than a high-testosterone battle of wills" "Fail Safe entertainment (sorry)" BABE (1995) "Adorable Aussie import about a pig who thinks he's a sheep dog" "Score based on Saint-Saens' Symphony No.3 Op 78" THE LION KING (1994) "Rich imagery, colorful characters, and timeless-ly time- less themes" "Worth roaring about" FORREST GUMP (1994) "Supremely entertaining triptych of recent American his- tory" "Not too far removed from the good-natured hayseeds that Andy Griffith played so well" THE FUGITIVE (1993) "More than just one long chase-scene" "Deftly balances inertia with intelligence" IN THE LINE OF FIRE (1993) "Great movie, except for incompetent reviewer who could- n't locate his original review to excerpt here." Postscript: I'll re-post this list later, sorted by title. And then again, by second word in title. And then once more, by di- rector's mother's maiden name. Thank you. Copyright 2000 by Michael J. Legeros Movie Hell is a trademark of Michael J. Legeros